Sunday, 24 January 2010

A FEW WORDS FROM MY SPONSOR


Did anyone see The Sacred Made Real at the National Gallery? It closed today, sadly, so if you missed it you’ll have to travel to Spain instead (what a chore!) and visit the many different churches, monasteries and cathedrals that loaned their works of art for this extraordinary and deeply moving exhibition of polychrome statues and paintings.
St Francis of Assisi featured several times, as statue and portrait. I’d forgotten the words so often attributed to him – aren’t they wonderful? Happy writing, and be kind to each other until St Ryan of Air brings me home to my study.

Grant me the serenity to accept the things I cannot change
the courage to change those that I can
and the wisdom to know the difference.

Saturday, 23 January 2010

URGENT CALL FOR SUBS - FLASH ANTHOLGY FOR HAITI


Some great guys are pulling an anthology together as fast as they can, 100 Stories for Haiti will be an e-book, and all profits to help the Red Cross in Haiti.

Get your flashes out, dust em off, polish and send, fast.

I am reliably informed that previously published work is fine - so long as you hold the rights.

100 Stories for Haiti
We want short story submissions to help raise money for disaster-stricken Haiti. Out of the submissions, 100 pieces of fiction will be chosen to appear in an e-book, the proceeds of which will go to the Red Cross.
If you want to send a short story, please follow these guidelines:
• Do not exceed 1,000 words.
• No stories containing graphic violence, death or destruction.
• Send all stories in the body text of an email to 100storiesforhaitiATgmail.com. Stories sent as attachments will not be opened.
Stories must be received by Monday 25 January, 2010.
Nick Harkaway, author of ‘The Gone Away World’, will be editing a story for the book as well as penning the introduction.
The book will be sold on SMASHWORDS, whose founder and CEO Mark Coker will be waiving the normal 15% commission.
100 Stories for Haiti will be published in mid-February, 2010.



More information HERE on I Really Should be Writing...and HERE on the e-book's very own website - fresh off the press. As it were.
Greg McQueen is one of the guys behind this project, backed by Mark Coker, CEO of e-book publisher Smashwords (see above for link).Here's Greg, talking about the project on YouTube

A great initiative, please spread the word, FAST!!

Friday, 22 January 2010

GORN

I am gorn.
Or will be soon
I am not saying where,
I wish to be alone.
However, I will give a clue.
Or two.

GLIMMERTRAIN DEADLINE LOOMS - AND OTHER FACTS

Glimmertrain is one of those I’ve never cracked – never so much as made their longest of longlists. Their latest Very Short Fiction Award closes for entries on 31 Jan – details are below.
They have a useful record of subs, via their website. I just checked to see what I sent them over the years, and I’m cringing! All those pieces I sent off (paid) when they were freshly written, when I thought they were simply great, in that first flush of creative bliss. No Nessie, they weren’t. You hadn’t added TIME into the mix. Looking at the titles now, I’m blushing - how embarrassing!
But - I also tried them with Words from a Glass Bubble, for a comp seeking stories about family. It got nowhere, but was later picked by Michael Collins for 2nd place at Fish, and it also got a finalist place at Willesden, picked by Zadie Smith.
I hadn’t even read Glimmertrain when I tried to find success there! Daft person. That was a few years back, I hasten to add. I now have, and even the look of the work on the page is nothing like mine. The style they seem to like is nothing like mine, the look on the page, even – the issues I read seemed to favour third person, dense prose, heavy on exposition.
Two morals of the story – read your target mag. Even if work is ‘good’, it won’t be successful everywhere – this thing is not a science. But do always send out your very best, remembering this - it is highly unlikely that your very best is the one you just wrote.
Here's the details.


VERY SHORT FICTION AWARD
Deadline: January 31
Prizes:
• 1st place wins $1,200, publication in Glimmer Train Stories, and 10 copies.
• 2nd-place: $500 and possible publication.
• 3rd-place: $300 and possible publication.
Results post on March 31. Winning story will be published in Issue 79.
Other considerations:
• Open to all writers.
• Length not to exceed 3,000 words. Any shorter lengths are welcome.
• Reading fee is $15 per story.
Glimmer Train Stories, represented in recent editions of the Pushcart Prize,
O. Henry, New Stories from the South, New Stories from the Midwest, and Best American Short Stories anthologies.
FULL DETAILS AND ENTRY ON GLIMMERTRAIN WEBSITE HERE

Thursday, 21 January 2010

SHORT CIRCUIT - A PERSONAL RESPONSE


Today, Short Circuit visits the lovely Sue Guiney, on her BLOG, HERE. I am just delighted to see what she says - the book has rattled her, creatively, in the nicest way possible. Thats simply great - its not a how-to book in the traditional sense. It is intended to challenge, to inspire, to get you thinking, arguing. Creating.
Thank you to Sue for a lovely article.
Sales on Amazon have been Ok today. A few sales have pushed Short Circuit to no 17 in the Books about Writing Skills category on Amazon UK. Higher than The Oxford Style Manual. Yippee. Thanks Suee!!

THE NEW WRITER -POWERFUL STUFF

Let's celebrate Issue no.100 of THE NEW WRITER MAGAZINE!
An amazing achievement, and in the end,it is successful thanks to the quality of their advice, their stories, their poems. It just seems to get on with things, quietly, doing what it says on the tin very well, and has been a great resource for thousands of writers over the years. And, lovely people- this special issue contains a write-up of Short Circuit!
I'm delighted to be judging their current competition - the short story section. I will be getting a large parcel delivered mid-February - with mases of super stories selected for the shortlist by TNY's team of readers. I know it will be a very hard job selecting the winning few, but as usual, I will do my very best.
If you are looking for a magazine to subscribe to, that will give you a whole range of quality articles, recommendations, interviews with successful writers, alongside thought- provoking fiction and poetry, listings of current competitions, and masses of other must-have stuff for writers, HERE IS THEIR WEBSITE - Subscription details are there.
This is from that website:
The New Writer is a forward-looking magazine with a range of contributors, expert in their subjects. Whether you've just started to write or you're a more experienced writer wanting to explore new ideas and techniques, the practical and entertaining contents of the magazine equals essential reading. Can you afford to be without it? The team at The New Writer are committed to working with their readers to increase the chances of publication. That's why masses of useful information and plenty of feedback is provided. More than that, we let you know about the current state of the market and bring you the best contemporary short stories, cutting-edge poems, backed up by searching articles and in-depth features in every issue.

A powerful magazine, in the best way possible.
*
I was called a frighteningly powerful woman this week, and I hadn't laughed so much for ages. Made me think of an old advert for bath cleaning powder...
Seriously, peeps, no-one is less powerful than me. But I can be frightening - ask my sons...!

Wednesday, 20 January 2010

Carry on Camping – with Trusted Readers


What is a trusted reader? It is someone you give your manuscript to, for close reading and comment – whatever it be. Short story, novel, novella, single poem, flash, poetry collection, flash collection - the list goes on.
There are no doubt many definitions, and timings – but for me, the peer critique process is one thing, useful when the work is in the process of revision, and the trusted reader is one of the final stops on the manuscript’s journey away from you. As you are letting it go – it is, if you like, that stage when you check your offspring is correctly kitted out for the long road ahead.
Have you packed the right clothes for all weathers, the right food, the right safety equipment, phone, the means to get cash, passport plus copies. Maps. Oh, and if you were my late Mum – a vest. (Vests had to go everywhere!)
Your trusted reader is metaphorically speaking, checking through the rucksack, making sure everything is as right as it can be made.

You wouldn’t entrust your offspring’s wellbeing to just anyone. You would not just stop the car, grab a passer-by and say, “go through this there’s a dear – will my child have the best chance possible?”

So. Having established that you need someone you can trust with your baby’s wellbeing, who might that be, if we are going down the analogy started above? (I’ve started, so I’ll finish…). Good friend of the family. Older sibling. Or even better, a godparent or the equivalent. Someone who cares that everything is as OK as it can be, and who may help you to repack if all is a bit chaotic in that rucksack. Who might even suggest a different tent, because the one you’ve put in has a hole in it.

Seriously, camping aside. You must choose your final reader with great care, and I suggest you consider the following:
Someone who knows you and knows your work.
Someone who is prepared to be honest with you, and who you listen to.
Someone who is an experienced reader in the genre you are working in, who knows what works and what doesn’t.
Someone you can trust.

Now we’ll get controversial. Should the trusted reader be someone you have worked closely with, in a writing group? The final decision on that has to be yours, but I would ask you to consider one thing. Is there a chance that the person you are considering might be jealous in any way of you?
Are you considering someone you have not met face to face? Perhaps someone you’ve worked with online? Again, controversially perhaps in this age of emails, forums, facebook, twitter and messaging of all types… if you are asking my advice, I’d say this. If you have not met them face to face, and felt completely at ease, think again. NOT that one then!
Even then, you can get it wrong. But knowing your trusted reader is important. Knowing that they have your interests at heart and would do nothing to harm you or your work, is important. Knowing that they would not hold back if they feel something is not right, is important. And knowing that when you are successful and your manuscript is picked up by a good publisher – they will raise a glass with you and mean it, is important too. Just as you will celebrate with them when their time is right.
On the other hand, there are superb professional consultancies around who will do the job for you. I would love to hear from anyone who has used one of these, and find out what the experience was like?
This wasn’t as easy to write as I thought. It just goes to show what a difficult thing it is to find a good trusted reader, and I hope it doesn’t mean that lots of writers just ask the person next to them on the bus…feel free to start debate, ask questions…